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A bebop treatment of the Locrian or half-diminished sound, often derived as Locrian ♮2 with an added passing tone. It is used in modern jazz vocabulary over m7♭5 chords to align chord tones with the beat while preserving the dark, unstable Locrian flavour.
| Degree | Note | Note+Octave | Semitones | Interval |
|---|---|---|---|---|
| 1 | C | C3 | 0 | 1P |
| 2 | C# | F3 | 0 | 1P |
| 3 | D# | G3 | 0 | 1P |
| 4 | F | F3 | 5 | 4P |
| 5 | F# | F#3 | 0 | 1P |
| 6 | G | G3 | 7 | 5P |
| 7 | G# | G#3 | 0 | 1P |
| 8 | A# | A#3 | 0 | 1P |