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A hybrid scale sometimes equated with Lydian ♭3 (1, 2, ♭3, ♯4, 5, 6, 7), combining Lydian's sharp 4th with a minor 3rd. It underpins minor-major or 'quartal-minor' harmony and appears in 20th-century classical and jazz contexts as a way to colour m(maj7) or altered major chords.
| Degree | Note | Note+Octave | Semitones | Interval |
|---|---|---|---|---|
| 1 | C | C3 | 0 | 1P |
| 2 | D | D3 | 2 | 2M |
| 3 | D# | F#3 | 0 | 1P |
| 4 | Gb | G3 | 6 | 5d |
| 5 | G | A3 | 7 | 5P |
| 6 | A | B3 | 9 | 6M |
| 7 | B | B3 | 11 | 7M |