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In jazz and modern theory usually the 'jazz melodic minor': a minor scale with a natural 6 and 7 (1, 2, ♭3, 4, 5, 6, 7). It provides a smoother, more 'refined' minor sound than natural or harmonic minor and generates a rich family of modes (Dorian ♭2, Lydian augmented, Lydian dominant, Mixolydian ♭6, Locrian ♯2, altered) used extensively over sophisticated chords.
| Degree | Note | Note+Octave | Semitones | Interval |
|---|---|---|---|---|
| 1 | C | C3 | 0 | 1P |
| 2 | D | D3 | 2 | 2M |
| 3 | D# | F3 | 0 | 1P |
| 4 | F | G3 | 5 | 4P |
| 5 | G | A3 | 7 | 5P |
| 6 | A | B3 | 9 | 6M |
| 7 | B | B3 | 11 | 7M |