Chord Shapes
Dominant 9th
Intervals: 1-3-5-b7-9. A dominant 7th with an added 9th, one of the most standard dominant extensions in jazz, soul and funk. From the perspective of the parent Mixolydian scale the 9th is a diatonic colour tone that softens the bare 7th chord and fills out the upper register. Many practical voicings omit the 5th and sometimes the root, keeping 3-b7-9 as the core, especially on guitar and piano. Dominant 9ths are idiomatic on V chords in turnarounds and on static groove chords (e.g. the IV9 in a blues). They give a warmer, richer flavour than a plain 7th while retaining clear dominant pull.
Used in:
- Georgia on My Mind (Hoagy Carmichael/Ray Charles)
- Let's Stay Together (Al Green)
- Smooth Operator (Sade)
9
View:
C9
Alt:Em7b5/CBb6/9/CD11(#5)/CGm6/C
C9
Alt:C9/GEm7b5/GBb6/9/GD11(#5)/G
C9
Alt:Bb6/9/CD11(#5)/CGm/C
C9
Alt:Em7b5/CBb6/9/CD11(#5)/CGm6/C
C9
Alt:Em7b5/CBb6/9/CD11(#5)/CGm6/C
C9
Alt:Gm/CBb6/9/CD11(#5)/C
C9
Alt:Gm6/CBb6/9/CEm7b5/CD11(#5)/C
C9
Alt:E7(b5,#5)/CBbadd9/CD9(#5)/C
Open-string shapes hidden